THATS THE WAY TO DO IT
BILL HAMBLETT ............SMALL WORLD THEATRE
It can be
very simple. recycle thin card , the sort you may find used to make a cereal
package. Use a pencil and draw your subject on the card. If it is a human for
instance it is usually better to draw a profile so it can move back and forth
across the screen. Any of the puppet's limbs you wish to have moving draw separately
from the body. Cut out the profile. Punch holes in the body and the top end
of the arm. Use small brass paper fasteners to join the arms to the body.
The animation ( Above ) shows the component parts.
A thread attached to the top end of the shoulder beyond the punched hole will
operate the arm when pulled down.
( experiment )
You may need to stiffen the card with a thin stick by gluing or taping it up
the leg up to the top of the head. Make sure the stick does not restrict the
arm movement or cover up the holes that you may have cut out for the eyes .
You now have a basic puppet with a moving arm.
Now You need a screen. Use white or pale coloured plain material , A calico
or cotton cloth is usual. Stretch it by either pinning it on a frame or stretched
across the space with cords from the corners.
(experiment)
Now you need a light source. If you stand behind the screen to operate the puppets
you have to avoid your shadow from blocking the puppet's shadow by placing the
spot light or angle poise light above your head and pointed at the screen. Place
the puppet flat on the screen and move it. and that is essentially it. Play
with the positioning, focus and strength of the light.
( experiment )
Now write a stunning play make exciting characters and scenery , compose an
original sound track and instantly develop an ability to speak in many distinct
voices with ease and wit . manipulate the puppets with exquisite precision and
your away.
( experiment )
Some refinements: Use theatre lighting gel / acetate or coloured cellophane
to add colour to puppets by cutting "windows" into the card and gluing
it on . Use straws or tubes or wire loops to run operating threads through so
keeping them out of sight. You can use elastic bands to assist the return function
on moving parts.
( experiment )
Tip the screen slightly forward from the top. This "lean " will add
friction to the operating and also help keep your own shadow out of the picture.
Have "wings" to facilitate ons and offs.and a "head board"
to help keep the light spill out of the audience's eyes. Below the screen should
be blocked off to hide the puppeteers legs.
The closer the puppets are to the screen the sharper and clearer the image will
be. The further the light is away from the back of the screen the more in focus
puppets will be , even if they are held off from the screen a bit. The brighter
the light, less diffuse and the further away you can get it, the more 3D objects
can focus. Shadows of people, hands and combinations with 3D objects, mirrors,
lights and reflective surfaces can work well as low tech effects. Even bent
wire profiles can be used to mediocre effect. Try projections and film too.
( experiment )
Feel free to ignore the above and use a patterned screen with your knees showing
or tear the puppets from a corrugated cardboard box, it"s cheap enough
to experiment with. Save money , then go to Bali and watch the professionals
at work for ten hours at a time in a meditative trance.
( experiment )
| Small World Theatre | Small World Centre | What's On West Wales | Intergenerational | Allotmemt |
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http://www.rhandir.org |
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Small World Theatre, Canolfan Byd Bychan, Bath House Road, Cardigan, Ceredigion, Wales, SA43 1JY
Tel: 01239 615952 Fax :01239 615835
e mail info@smallworld.org.uk